Life isn't all about quilts. Sometimes something pops up that piques your curiosity or inspires you to do a bit of research. This happened to me yesterday.
I bought this doll at a garage sale for $1. The gentleman told me it had been his mother's and it was probably from the 1920s.
A few clicks of the computer were all it took. She is what was called a Boudoir Doll, or bed doll from the early 1920s. She is probably French. Later copies made in the U.S. didn't have as much makeup, especially eye makeup, as the early French dolls had. She is all original. The head is made of painted plaster; her body is cloth and stuffed with excelsior. Her lower arms and lower legs are a hard plastic with painted high heel shoes. Her dress is printed silk taffeta and her undergarments are a stiff gauze-like fabric. Some of her mohair hair is missing, but at nearly 100 years of age you can't expect her to be perfect.
I've named her Francine and I'm so glad I found her. Now I'm going back to that sale to tell the gentleman what I found out about his mother's darling of a doll.
Friday, August 12, 2016
Tuesday, August 2, 2016
Monday, September 14, 2015
Monday, April 20, 2015
History on a Piece of Cloth
Yesterday my friend Kim and I attended a fabulous talk at the Kansas City Public Library. The talk was titled History on a Piece of Cloth, and the speaker was Nancy Jo Leachman, a librarian and historian from Salina, Kansas. I have a long-time interest in feed sack fabrics, so when Kim asked me to go with her it was a no brainer answer. And, we are both so glad that we went.
Now Nancy Jo isn't a quilter, or even a sewist, but she certainly knows her history and she has the same passion for collecting flour sacks that many of us have for collecting feed sacks. What's the difference, you ask?
Many of Nancy Jo's sacks are pre-calico feed sacks. In other words, plain white but with amazing labels printed on the bags. Nancy Jo limits her obsession to flour sacks (not sugar, feed, or any other commodity) and only those from Kansas flour mills. You would be amazed at how many sacks she has collected within those parameters.
Later I'll share some photos and more info, but in the mean time, if you have a chance to catch Nancy Jo's talk somewhere -- GO! You won't regret it and you'll learn a lot from a simple piece of cloth.
Now Nancy Jo isn't a quilter, or even a sewist, but she certainly knows her history and she has the same passion for collecting flour sacks that many of us have for collecting feed sacks. What's the difference, you ask?
Many of Nancy Jo's sacks are pre-calico feed sacks. In other words, plain white but with amazing labels printed on the bags. Nancy Jo limits her obsession to flour sacks (not sugar, feed, or any other commodity) and only those from Kansas flour mills. You would be amazed at how many sacks she has collected within those parameters.
Later I'll share some photos and more info, but in the mean time, if you have a chance to catch Nancy Jo's talk somewhere -- GO! You won't regret it and you'll learn a lot from a simple piece of cloth.
Wednesday, December 25, 2013
Christmas Past
It’s Christmas. Santa has delivered his packages, enjoyed
his cookies and cocoa, and gone his merry way. All is calm once again.
Each Christmas I’m reminded of a Christmas long, long ago
when I received a special present. I’m reminded of this same Christmas each
time someone asked me how long I’ve been quilting. See, the special present was
a little red Singer sewing machine, and I was 5 1/2 years old. I’ve no idea
what happened to that particular sewing machine, but over the past few years
I’ve tried to recapture my youth by collecting children’s sewing machines.
Machines that really sew, like my little Singer did. In fact, one of my machines
is very similar to that first Singer, but it’s not red.
The first quilt I ever made was sewn with that little
Singer. I’d been given a Raggedy Ann and Andy embroidery set for my birthday.
It came with blue stamped fabric, embroidery thread, needle, blunt-ended scissors
and instructions. My mother taught me how to thread the needle and carefully
sew the little cross-stitches and stem stitches. There were two small squares
that could be used as handkerchiefs or sewn together to make a pillow cover.
There was also a larger square that was intended to be a quilt for a doll.
I carefully stitched the designs and when I was finished, my
mom showed me how to make a quilt. I remember embroidering little x’s all
around the edge of the pillow-cased top. Then mom showed me how to knot ties here
and there to finish the quilt. The quilt
and pillow fit perfectly on the doll bed that my dad had made. Oh how my dolls
must have enjoyed that hand-made first quilt. They didn’t care that the
stitches were uneven or that the quilt wasn’t exactly square. And neither did
it.
So you can see why these children’s sewing machines are dear
to me. Two of the machines are Singers. Both are metal; they were made in Great
Britain in the 1950s and hand-cranked. One has a clamp and must be clamped to a
table to hold it steady while sewing. The other has a weighted bottom to keep
it from moving around. These machines, like most children’s machines, sew a
chain stitch. They machine with the clamp as a 3-position stitch regulator that
adjusts the stitch length.
The third machine is a Betsy Ross Model 707-E. This metal machine
is screwed to the base of the hard case, enclosing the electric motor. Yes –
this one is electric so you can actually use both hands to guide the fabric. I
love the sort of Art Deco design on the green metallic face.
The manual for one of the Singer Sew Handy machines suggests
quilting clothes or blankets for one’s doll, or making a quilted hot dish
holder for mother. To make the items more decorative you simply had to sew with
the face side down; the lovely chain stitch loops would then be displayed on
the front side.
During this holiday season I will sit and sew and remember
that Christmas long ago that started me on the path to becoming a quilter.
Thank you, Santa!
Photos by Patrick di Natale
Wednesday, December 4, 2013
Is It Art?
A trip to a local thrift shop almost always uncovers a
treasurer, and today’s trip was certainly not a disappointment. It wasn’t a
significant purchase in either dollars or importance. It was simply a round
ball with buttons pinned to it.
The pins were fairly new, with round, colored heads and
there were two bows made of vintage cloth at the top. It had a big red button
on it, and I’ve been looking for just the right big red vintage button. The
price was $1.99 so in my cart it went.
This evening I pulled it out of the bag intending to remove
all those pins and buttons, but something made me stop and take a closer look.
Someone took a lot of time to pin all those old buttons to a
Styrofoam ball. I assume it was made to be decorative. Were the buttons from
someone’s collection, or their mother’s or grandmother’s collection? Was this a
“memory ball”? The fabric bows were definitely vintage, possibly 40s. But the
base was much newer. What is the story behind this treasure?
I’m a victim of the Antiques Road Show. I keep thinking that
some day I’m going to stop at a thrift store and pick up an amazing treasure
for almost nothing. Well, this button ball isn’t that treasure. The buttons
alone are worth more than the price I paid. But it definitely isn’t a valuable
treasure. What it is, or at least in my mind, is a piece of sewing folk art.
Quilts that I find often talk to me, and this ball of buttons is talking to me.
Saying, don’t take me apart. I’m pretty; I’m special.
So it’s going on the shelf with my other sewing collectibles.
And I’m still searching for the big red button.
Wednesday, October 23, 2013
This little quilter is going to market!
Just 24 hours from now I'll be in Houston in the midst of the madhouse that becomes the International Quilt Market every fall. Boxes and crates everywhere. What's inside those boxes and crates? New fabrics, new patterns, new books and new ideas from the world's top textile companies and designers. Fall Market is where shop owners go to see what's new in Quiltland. How exciting is that?
Fall market is followed by Quilt Festival -- some of the same textile companies and designers, but Festival is open to the public. If you are lucky enough to attend, you'll have the latest news on what we'll be seeing next spring.
My latest book, Prize Quilts: The Omaha World-Herald Quilt Contests, will be introduced along with 10 other books in the Kansas City Star Quilts booth, #2046. Look for Prized Quilts in your local quilt shop now, or go the pickledishstore.com to see all the latest books from Kansas City Star Quilts.
Fall market is followed by Quilt Festival -- some of the same textile companies and designers, but Festival is open to the public. If you are lucky enough to attend, you'll have the latest news on what we'll be seeing next spring.
My latest book, Prize Quilts: The Omaha World-Herald Quilt Contests, will be introduced along with 10 other books in the Kansas City Star Quilts booth, #2046. Look for Prized Quilts in your local quilt shop now, or go the pickledishstore.com to see all the latest books from Kansas City Star Quilts.
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